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“Painting Tidewater Plants with Natural Dye” by Anne Yoncha, Artist in Residence

June 11 @ 2:00 pm - 4:00 pm

Free
“Painting Tidewater Plants with Natural Dye” by Anne Yoncha, Artist in Residence
Saturday, June 11
2:00pm-4:00pm
Visiting artist in residence, art professor, and Fulbright Scholar, Anne Yoncha, will give a FREE class on Saturday, June 11th, from 2:00pm- 4:00pm. The class will take place at Arts on Main. Yoncha will teach students how to create dyes from local materials such as pine straw. Then using these dyes students will make their own works of art on paper.

Please call Arts on Main to register for this class.

ABOUT THE ARTIST

Anne Yoncha (US) is Assistant Professor of Art at East Central University in Ada, Oklahoma. Born and raised in Wilmington, Delaware, she earned her MFA at the University of Montana and recently completed a Fulbright fellowship at the Natural Resources Institute Finland, working with restorationists to make collaborative art-science work about former peat extraction sites outside Oulu. Her practice combines digital sensing technology, such as bio-data sonification, and analog, traditional processes including painting with ink she makes from locally-sourced plant matter. Her ongoing research with the HAB (High Altitude Bioprospecting) working group began in fall 2019 at Field_Notes, a residency of Finland’s Bio Art Society at Kilpisjärvi Biological Station in subarctic Lapland, where she worked with artists, biologists, and programmers to attempt to detect high-altitude microbes using a heli-kite. Tree Talk, her temporary site-specific installation sonifying invisible processes within a stand of Ponderosa pines, was selected as the 2018 Emerging Artist project at Blackfoot Pathways Sculpture in the Wild in Lincoln, Montana. She has also been awarded residencies at Cedar Point Biological Station in Ogallala, Nebraska, and Flathead Lake Biological Station in Polson, Montana. Her work has been shown nationally and internationally, notably at the CICA Museum in South Korea, Finland’s Art Ii Biennial, the Budapest Environmental Project, and Codex Foundation’s international artistic exploration “Extraction: Art on the Edge of Abyss”. Outside the studio she can often be found doing another kind of environmental “research” via bicycle.